I hope these quick writing tips helps you jumpstart your writing!
This series on Developing Ideas is excerpted from You Can Write for Children: How to Write Great Stories, Articles, and Books for Kids and Teenagers. Get the book if you want to see all the info at once. The book addresses writing stories for children, but if you want to write for adults, simply do the exercises ignoring the "as a child" part. Or grab Advanced Plotting instead, for all the advice you need about writing great plots!
Last week I talked about “Building a Story in Four Parts.” Now let's explore the middle more.
Developing the Middle of a Story
If a character solves his goal easily, the story is boring. To keep tension high, you need complications.
For short stories, try the “rule of three” and have the main character try to solve the problem three times in different ways. The first two times, he fails and the situation worsens.
Remember: the situation should worsen. If things stay the same, he still has a problem, but the tension is flat. If his first attempts make things worse, tension rises.
For novels, you may have even more attempts and failures. In my first Haunted book, The Ghost on the Stairs, I made sure each ghost encounter felt more dangerous. As Tania tries to get closer to the ghost in order to help her, Jon worries that she will go too far and be injured or even killed. With enough variety, you can sustain this kind of tension indefinitely (witness the ongoing battle between Harry and Voldemort in the seven-book Harry Potter series).
You can worsen the situation in several ways. The main character’s actions could make the challenge more difficult. In my children’s mystery set in ancient Egypt, The Eyes of Pharaoh, a young temple dancer searches for her missing friend. But when she asks questions at the barracks where he was a soldier, she attracts dangerous attention from his enemies.
The villain may also raise the stakes. In my Mayan historical drama, The Well of Sacrifice, the main character escapes a power-hungry high priest. He threatens to kill her entire family, forcing her to return to captivity.
Secondary characters can cause complications too, even if they are not “bad guys.” In The Ghost on the Stairs, the kids’ mother decides to spend the day with them, forcing them to come up with creative ways to investigate the ghost while under her watchful eyes.
Finally, the main character may simply run out of time. At her first attempt, she had a week. At her second attempt, she had a day. Those two attempts have failed, and now she has only an hour! That creates tension.
• For each turning point in the story, brainstorm 10 things that could happen next. Then pick the one that is the worst or most unexpected, so long as it is still believable for the story.
Get More Writing Advice
Chris Eboch is the author of over 60 books for children, including nonfiction and fiction, early reader through teen. Her writing craft books include You Can Write for Children: How to Write Great Stories, Articles, and Books for Kids and Teenagers, and Advanced Plotting
Her novels for ages nine and up include The Eyes of Pharaoh, a mystery in ancient Egypt; The Well of Sacrifice, a Mayan adventure; The Genie’s Gift, a middle eastern fantasy; and the Haunted series, about kids who travel with a ghost hunter TV show, which starts with The Ghost on the Stairs. Learn more at https://chriseboch.com/ or her Amazon page.