I hope these quick writing tips helps you jumpstart your
writing!
This
series on Developing Ideas is excerpted
from You Can Write for Children: How to Write Great
Stories, Articles, and Books for Kids and Teenagers. Get the book
if you want to see all the info at once. The book addresses writing stories for
children, but if you want to write for adults, simply do the exercises ignoring
the "as a child" part. Or grab Advanced Plotting instead, for all the advice you need about writing great plots!
Last
week I talked about “Building a Story
in Four Parts.” Now let's explore the middle more.
Developing the Middle of a Story
If
a character solves his goal easily, the story is boring. To keep tension high,
you need complications.
For
short stories, try the “rule of three” and have the main character try to solve
the problem three times in different ways. The first two times, he fails and
the situation worsens.
Remember: the
situation should worsen. If things stay the same, he still has a
problem, but the tension is flat. If his first attempts make things worse,
tension rises.
For
novels, you may have even more attempts and failures. In my first Haunted book,
The Ghost on the Stairs, I made sure
each ghost encounter felt more dangerous. As Tania tries to get closer to the
ghost in order to help her, Jon worries that she will go too far and be injured
or even killed. With enough variety, you can sustain this kind of tension
indefinitely (witness the ongoing battle between Harry and Voldemort in the
seven-book Harry Potter series).
You
can worsen the situation in several ways. The main character’s actions could
make the challenge more difficult. In my children’s mystery set in ancient
Egypt, The Eyes of Pharaoh, a young
temple dancer searches for her missing friend. But when she asks questions at the
barracks where he was a soldier, she attracts dangerous attention from his
enemies.
The
villain may also raise the stakes. In my Mayan historical drama, The Well of Sacrifice, the main
character escapes a power-hungry high priest. He threatens to kill her entire
family, forcing her to return to captivity.
Secondary
characters can cause complications too, even if they are not “bad guys.” In The Ghost on the Stairs, the kids’
mother decides to spend the day with them, forcing them to come up with
creative ways to investigate the ghost while under her watchful eyes.
Finally,
the main character may simply run out of time. At her first attempt, she had a
week. At her second attempt, she had a day. Those two attempts have failed, and
now she has only an hour! That creates tension.
•
For each turning point in the story, brainstorm 10 things that could happen
next. Then pick the one that is the worst or most unexpected, so long as it is
still believable for the story.
Get More Writing Advice
Chris Eboch is the author of over 60 books for children,
including nonfiction and fiction, early reader through teen. Her writing craft
books include You Can Write for Children: How to Write Great
Stories, Articles, and Books for Kids and Teenagers, and Advanced Plotting
Her novels for ages nine and up include The Eyes of Pharaoh, a mystery in
ancient Egypt; The Well of Sacrifice, a Mayan
adventure; The Genie’s Gift, a middle eastern
fantasy; and the Haunted series, about kids who travel with a ghost hunter TV
show, which starts with The Ghost on the Stairs. Learn more
at https://chriseboch.com/ or her Amazon page.
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