I've been
talking about the promise a first chapter makes, and how to get off to a fast
start. Now try these exercises to explore how openings make promises.
First Chapters in Novels: Opening Exercises
Pick up one of
your favorite novels. Reread the first chapter. What promises does it make?
From your knowledge of the book, does it fulfill those promises? Repeat this
exercise with other books. Try it with short stories and articles, judging the
promises made in the first few lines.
When you start
reading a new novel, pause at the end of the first chapter. Could you identify
the genre, main character, point of view, and setting? Is the main character
facing a challenge? Make a note of these promises. At the end of the book,
decide whether each promise was fulfilled. Try reading short stories and
articles this way as well.
Think about your
work in progress. What do you want to promise? Check your first chapter for
each of the following:
- Does it clearly identify the genre?
- Does it identify the setting, including time period, country, and urban/rural/suburban lifestyle? Does it suggest whether this is a school story, a family story, an epic interstellar journey, or whatever?
- Does it introduce the main character and possibly one or more other important characters?
- Does it clearly establish the point of view and the tone of the book (funny, lyrical, intellectual, or whatever)?
- Is a problem introduced quickly? If it is not the primary plot problem, does the opening challenge at least relate to or lead to the main problem?
Few authors wind
up using their original openings. Some authors write a novel, then throw away
the first chapter and write a new first chapter — the one that belongs there.
It seems like it’s almost impossible to write a strong opening until you’ve
finished the rest of the book. The final version of the opening may actually be
the last thing we write!
Openings are a
struggle for many of us, but don’t worry about the beginning during the first
draft. Chances are it will change completely anyway, so wait until you have a
solid plot before you start fine-tuning your opening. You need to know the rest
of your story in order to figure out what your opening should be.
Don’t stress
about the opening during your early drafts, but do make sure you fix it later. Keep
in mind that fixing the beginning may involve throwing it out altogether and
replacing it with something else or simply starting later in the story. In the
end, you’ll have the beginning you need.
Get More Writing Advice
In Advanced Plotting, you'll get two dozen essays like this one on the craft of writing. Advanced Plotting is designed for the intermediate and advanced writer: you’ve finished a few stories, read books and articles on writing, taken some classes, attended conferences. But you still struggle with plot, or suspect that your plotting needs work.
Advanced Plotting can help.
Chris Eboch is the author of over 60 books for children,
including nonfiction and fiction, early reader through teen. Her writing craft
books include You Can Write for Children: How to Write
Great Stories, Articles, and Books for Kids and Teenagers, and Advanced Plotting.
Her novels for ages nine and up include The Eyes of Pharaoh, a mystery in
ancient Egypt; The Well of Sacrifice, a Mayan
adventure; The Genie’s Gift, a middle eastern
fantasy; and the Haunted series, about kids who travel with a ghost hunter TV
show, which starts with The Ghost on the Stairs. Learn more
at https://chriseboch.com/ or her Amazon page.
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