How to Turn an Idea into a Great Story: Making Muscular Action! #writing #amwriting #NaNoWriMo

Are you doing planning to write a novel National Novel Writing Month (NaNoWriMo)? You may wonder how you can possibly develop your novel enough to get 50,000 words. Start planning now! Learn how to expand a story by increasing the action for a strong middle.

“I love it,” the editor said. “I want to buy it.”

Words every writer wants to hear. But such joy does not come without a price. In this case, the editor followed those lovely phrases with “It needs to be twice as long.”

But I already had a plot that worked, and a nice fast pace! All in ... uh ... just over 80 pages. So yeah, that was short, even for a children’s novel. And since I was pitching The Ghost on the Stairs as the first in a series, it had to match Aladdin’s series guidelines for ages 9 to 12. So I had to add 70 pages, while keeping the story fast and active.

Some of you are going, “Yeah, right—I always need to cut, not expand.” That’s a common problem for many, but filling out a story with exciting, dramatic material can cause challenges as well—especially in the middle, where plots can sag and slow. I also see a lot of beginning children’s writers with manuscript in the 5000- to 20,000-word range, a tough sell unless you are doing leveled readers—which often have a very specific word count for each age level. Adult novelists may wind up with novellas, where a full-length novel would have better market opportunities.

So how do you build a bigger manuscript, while keeping it lean and muscular, not padded with fat descriptions or flabby repetition? I studied books on plotting, including Elements of Fiction Writing - Beginnings, Middles & Ends (Nancy Kress, Writers Digest Books) and came up with the several literary “protein shakes” to feed my novel. 

Add More Plot

In my Haunted series, siblings Jon and Tania travel with their mother and stepfather’s ghost hunter TV show, and discover Tania can see ghosts. In each book, they have to figure out what’s keeping the ghost here, then try to help her or him move on. In the version of The Ghost on the Stairs I sent to the editor, people already knew the ghost’s name and why she’s stuck here grieving. To expand the manuscript, I made the ghost story more vague. Jon and Tania have to do detective work to discover her name and background.

Exercise: Make a plot outline of your manuscript, with a sentence or two describing what happens in each scene. How easily does your main character solve his problems? Can you make it more difficult, by requiring more steps or adding complications? Can you add complications to your complications, turning small steps into big challenges?

Example: In Haunted Book 2: The Riverboat Phantom, a ghost grabs Jon.

    I felt the cold first on my arms, like icy vice grips squeezing my biceps. Then waves of cold flowed down to my hands, up to my shoulders, all through my body.

    I tried to breathe, but my chest felt too tight.

    My vision blurred, darkened. The last thing I saw was Tania’s horrified face.

    And I fell.

That’s dramatic enough for a chapter ending. So what’s next? It would be easiest—for Jon and the writer—if Tania is still the only one there when he recovers, and no one else notices his collapse. But if everyone notices, and Jon has to convince his worried mother that he’s not sick, you get complications.

See the "plotting" label to the right for more advice.

Hire Chris for a developmental edit or take a self-paced online class:

Advanced Plotting—Keep Those Pages Turning

Learn advanced techniques that will make a decent plot dynamic. Start with a “grab you by the throat” opening, pack the plot full, maximize your pacing, and use cliffhanger chapter endings to drive the story forward.

Take this online course at your own pace. It includes six videos plus handouts with notes and more resources. Get Advanced Plotting here.

Please note: If you are new to EzyCourse, you will need to sign up and get a password first. Then return to the course page to enroll and pay. You will not have access to the course until you "Complete Purchase." 

You Can Write for Children

Learn about children’s publishing—opportunities and challenges, genres, age ranges, book and magazine markets, and resources to keep you going. Watch this three-session video course at your own pace. Get You Can Write for Children here.

Chris Eboch is the author of  Advanced Plotting. Get Advanced Plotting from Amazon. 

Children's writers will get a great overview of writing books for kids in You Can Write for Children: A Guide to Writing Great Stories, Articles, and Books for Kids and Teenagers. It is available in Kindle, in paperback, or in Large Print paperback. Get You Can Write for Children.

Chris Eboch is the author of over 100 books for children, including nonfiction and fiction, early reader through teen. Her novels for ages nine and up include The Eyes of Pharaoh, a mystery in ancient Egypt; The Well of Sacrifice, a Mayan adventure; The Genie’s Gift, a middle eastern fantasy; and the Haunted series, about kids who travel with a ghost hunter TV show, which starts with The Ghost on the Stairs. 

Learn more at her website or her Amazon page.

Chris also writes for adults under the name Kris Bock. She writes a series with her brother, scriptwriter Douglas J Eboch, who wrote the original screenplay for the movie Sweet Home Alabama. The Felony Melanie series follows the crazy antics of Melanie, Jake, and their friends a decade before the events of the movie. Sign up for the romantic comedy newsletter to get a short story preview, or find the books at Amazon US or All E-book retailers.

Kris Bock writes novels of mystery, suspense, and romance. In the Accidental Detective series, a witty journalist solves mysteries in Arizona and tackles the challenges of turning fifty. Kris’s Furrever Friends Sweet Romance series features the employees and customers at a cat café. In the Accidental Billionaire Cowboys series, a Texas ranching family wins a fortune in the lottery, which causes as many problems as it solves. 

Sign up for the Kris Bock Mystery and Romance newsletter and get a free Accidental Detective short story and bonus material, a free 30-page sweet romance set in the world of the Furrever Friends cat café, and a printable copy of the recipes mentioned in the cat café novels.

Learn more at her website or visit her Amazon page.

You Can Write Strong Stories: The Best Ways to Raise the Stakes for your #NaNoWriMo Novel - #amwriting #Writing

When writing a novel, it's common to hit a slump somewhere in the middle. What happens next? How can you keep the story going strong? 

Let’s talk about the stakes – and how to raise them.

Look at your main story problem. What are the stakes? Do you have positive stakes (what the main character will get if he succeeds), negative stakes (what the MC will suffer if he fails), or both? Could the penalty for failure be worse? Your MC should not be able to walk away without penalty. Otherwise the problem was obviously not that important or difficult. The penalty can be anything from personal humiliation to losing the love interest to the destruction of the world – depending on the length of story and audience age – so long as you have set up how important that is for your MC.

Are things worse
at page 200?

Note that those complications should also be both Difficult and Important. Say you have a character who needs to get somewhere by a specific time, and you want to increase tension by causing delays. If she simply runs into a series of chatty neighbors, it’s quickly going to get boring (unless you can push it to the point of comedy). 

Instead, find delays that are dramatic and important to the main character. Her dog slips out of the house while she’s distracted, and she’s worried that he’ll get hit by a car if she doesn’t get him back inside... Her best friend shows up and insists that they talk about something important NOW or she won’t be friends anymore.... 

Ideally, these complications also relate to the main problem or a subplot. The best friend’s delay will have more impact if it’s tied into a subplot involving tension between the two friends rather than coming out nowhere.

Here’s another important point -- you must keep raising the stakes, making each encounter different and more dramatic. You move the story forward by moving the main character farther back from her goal, according to Jack M. Bickham in his writing instruction book Scene and Structure:

        “Well-planned scenes end with disasters that tighten the noose around the lead character’s neck; they make things worse, not better; they eliminate hoped-for avenues of progress; they increase the lead character’s worry, sense of possible failure, and desperation – so that in all these ways the main character in a novel of 400 pages will be in far worse shape by page 200 than he seemed to be at the outset.” 

If the tension is always high, but at the same height, you still have a flat line. Instead, think of your plot as going in waves. Each scene is a mini-story, building to its own climax -- the peak of the wave. You may have a breather, a calmer moment, after that climax. But each scene should lead to the next, and drive the story forward, so all scenes connect and ultimately drive toward the final story climax.

Example: In the Haunted books, the kids have a time limit for helping the ghosts, because their parents’ ghost hunter TV show is only shooting for a few days. But the stakes also rise as the kids get more involved with the ghosts, and understand their tragic plights. Complications come from human meddlers – the fake psychic who wants to take credit, the mean assistant who thinks kids are troublemakers, and Mom, who worries and wants to keep the kids away from anything dangerous.

Exercise: take one of your story ideas. Outline a plot that escalates the problem.

Hire Chris for a developmental edit  or take a self-paced online class:

Advanced Plotting—Keep Those Pages Turning

Learn advanced techniques that will make a decent plot dynamic. Start with a “grab you by the throat” opening, pack the plot full, maximize your pacing, and use cliffhanger chapter endings to drive the story forward.

Take this online course at your own pace. It includes six videos plus handouts with notes and more resources. Get Advanced Plotting here.

Please note: If you are new to EzyCourse, you will need to sign up and get a password first. Then return to the course page to enroll and pay. You will not have access to the course until you "Complete Purchase." 

You Can Write for Children

Learn about children’s publishing—opportunities and challenges, genres, age ranges, book and magazine markets, and resources to keep you going. Watch this three-session video course at your own pace. Get You Can Write for Children here.

Chris Eboch is the author of  Advanced Plotting. Get Advanced Plotting from Amazon. Children's writers will get a great overview of writing books for kids in You Can Write for Children: A Guide to Writing Great Stories, Articles, and Books for Kids and Teenagers. It is available in Kindle, in paperback, or in Large Print paperback. Get You Can Write for Children.

Chris has published over 100 books for children, including nonfiction and fiction, early reader through teen. Her novels for ages nine and up include The Eyes of Pharaoh, a mystery in ancient Egypt; The Well of Sacrifice, a Mayan adventure; The Genie’s Gift, a middle eastern fantasy; and the Haunted series, about kids who travel with a ghost hunter TV show, which starts with The Ghost on the Stairs. Her writing craft books include You Can Write for Children: How to Write Great Stories, Articles, and Books for Kids and Teenagers, and Advanced Plotting.

Learn more at her website or her Amazon page.

Chris also writes for adults under the name Kris Bock. Kris Bock writes novels of mystery, suspense, and romance. In the Accidental Detective series, a witty journalist solves mysteries in Arizona and tackles the challenges of turning fifty. Kris’s Furrever Friends Sweet Romance series features the employees and customers at a cat café. In the Accidental Billionaire Cowboys series, a Texas ranching family wins a fortune in the lottery, which causes as many problems as it solves. 

Sign up for the Kris Bock Mystery and Romance newsletter and get a free Accidental Detective short story and bonus material, a free 30-page sweet romance set in the world of the Furrever Friends cat café, and a printable copy of the recipes mentioned in the cat café novels.

Learn more at her website or visit her Amazon page.

"Conflict comes from the interaction between character and plot." Learn more, with Plot/Character Exercises: #Writing Advice #amwriting #writingworkshop

(From the "Most Viewed" files...)

Conflict comes from the interaction between character and plot. Let's look more closely at character.

Six basic human needs influence character:
Growth (working toward a personal goal)
Contribution (feeling needed, worthwhile)
Security (knowing the future)
Change (desire for variety, excitement)
Connection (feeling part of a group)
Independence (personal identity and freedom)

Which of these are most important to your main character? Create conflict by setting up situations which oppose that person’s needs.

Who are the best characters
for ghost hunting?

Exercise—Write a story, starting with plot.

Come up with a challenge – a difficult situation for someone. This can be anything from facing the first day of school to wanting to make a sports team to solving a crime to fighting zombies.

Then ask, What kind of person would have the most trouble in that situation? Plan or write a story about that character in that situation.

Exercise—Write a story, starting with character.

Write a brief character sketch, covering basics such as gender, age, personality characteristics – introvert/ extrovert, optimist/ pessimist, etc. – with a few likes and dislikes. You can base this on someone you know.

How would they define or describe themselves? (“I always…I never…I’m the kind of person who….”)

What happens when a shy,
sheltered girl goes on a quest?

•    If these statements are true, a situation that challenges the belief will create conflict. For example, if you have a character who is honest, put him in a situation where there is a good reason to lie.
•    If these statements are false, a situation that exposes the delusion will create conflict.  For example, if someone sees himself as courageous, but isn't really, a situation that requires courage will be especially painful because it shakes up his view of himself.

So, what situation will most challenge this character? Summarize or write a story about that character in that situation.

You know you need both an interesting character and a strong plot to make a good story. As you develop an idea, think about how your character and plot interact, and design your character for your plot. As you write the story, work back and forth between plot and character.

One more exercise:

Look at your work in progress. What is the problem? Why is it important? Why is it difficult? 

Given those answers, is your character the right character for that situation? Could you give your character different needs or desires, to make the situation more difficult for him or her?

Hire Chris for a developmental edit or take a self-paced online class:

Advanced Plotting—Keep Those Pages Turning

Learn advanced techniques that will make a decent plot dynamic. Start with a “grab you by the throat” opening, pack the plot full, maximize your pacing, and use cliffhanger chapter endings to drive the story forward.

Take this online course at your own pace. It includes six videos plus handouts with notes and more resources. Get Advanced Plotting here.

Please note: If you are new to EzyCourse, you will need to sign up and get a password first. Then return to the course page to enroll and pay. You will not have access to the course until you "Complete Purchase." 

You Can Write for Children

Learn about children’s publishing—opportunities and challenges, genres, age ranges, book and magazine markets, and resources to keep you going. Watch this three-session video course at your own pace. Get You Can Write for Children here.

Chris Eboch is the author of  Advanced Plotting. Get Advanced Plotting from Amazon. Children's writers will get a great overview of writing books for kids in You Can Write for Children: A Guide to Writing Great Stories, Articles, and Books for Kids and Teenagers. It is available in Kindle, in paperback, or in Large Print paperback. Get You Can Write for Children.

Chris has published over 100 books for children, including nonfiction and fiction, early reader through teen. Her novels for ages nine and up include The Eyes of Pharaoh, a mystery in ancient Egypt; The Well of Sacrifice, a Mayan adventure; The Genie’s Gift, a middle eastern fantasy; and the Haunted series, about kids who travel with a ghost hunter TV show, which starts with The Ghost on the Stairs. Her writing craft books include You Can Write for Children: How to Write Great Stories, Articles, and Books for Kids and Teenagers, and Advanced Plotting.

Learn more at https://chriseboch.com/ or her Amazon page.

Chris also writes for adults under the name Kris Bock. Kris Bock writes novels of mystery, suspense, and romance. In the Accidental Detective series, a witty journalist solves mysteries in Arizona and tackles the challenges of turning fifty. Kris’s Furrever Friends Sweet Romance series features the employees and customers at a cat café. In the Accidental Billionaire Cowboys series, a Texas ranching family wins a fortune in the lottery, which causes as many problems as it solves. 

Sign up for the Kris Bock Mystery and Romance newsletter and get a free Accidental Detective short story and bonus material, a free 30-page sweet romance set in the world of the Furrever Friends cat café, and a printable copy of the recipes mentioned in the cat café novels.

Learn more at www.krisbock.com or visit her Amazon page.