I hope these quick writing tips helps you jumpstart your
writing!
This
series on Developing Ideas is excerpted
from You Can Write for Children: How to Write
Great Stories, Articles, and Books for Kids and Teenagers. Grab the book
if you want to see all the info at once.
Once
you have
your idea, it’s time to develop it into an article, short story, or longer
project.
A girl wins the Boy Scout soapbox derby? Interesting premise, but then what…. |
If
you have a “great idea,” but can’t seem to go anywhere with it, you probably
have a premise rather than a complete story plan. (See more posts on finding ideas.)
A
story should have three parts: beginning, middle, and end (plus title and
possibly bonus material). This can be a bit confusing though. Doesn’t every
story have a beginning, middle, and end? It has to start somewhere and end at
some point, and other stuff is in the middle. Beginning, middle, and end!
Technically,
yes, but certain things should happen at those points.
Basic Story Structure
1. The
beginning introduces a character with a problem or a goal.
2. During the middle of the story, that character tries to solve the problem or reach the goal. He probably fails a few times and has to try something else. Or he may make progress through several steps along the way. He should not solve the problem on the first try, however.
3. At
the end, the main character solves the problem himself or reaches his goal
through his own efforts.
You
may find exceptions to these standard story rules, but it’s best to stick with
the basics until you know and understand them. They are standard because they
work!
Teachers
working with beginning writers often see stories with no conflict – no problem
or goal. The story is more of a “slice of life.” Things may happen, possibly
even sweet or funny things, but the story does not seem to have a clear
beginning, middle, and end; it lacks structure. Without conflict, the story is
not that interesting.
Developing Your Conflict
You
can have two basic types of conflict. An external
conflict is something in the physical world. It could be a problem with
another person, such as a bully at school, an annoying sibling, a criminal, or
a fantastical being such as a troll or demon. External conflict would also
include problems such as needing to travel a long distance in bad weather.
In The Well of Sacrifice, set in ninth-century
Mayan Guatemala, the young heroine is trying to stop an evil high priest from
taking over her city.
In the
Haunted series, about kids who travel with a ghost hunter TV show, a
brother and sister are trying to understand and help the ghosts.
The
other type of conflict is internal.
This could be anything from fear of the dark to selfishness. It’s a problem
within the main character that she has to overcome or come to terms with.
An
internal conflict is often expressed in an external way. If a child is afraid
of the dark, we need to see that fear in action. If she’s selfish, we need to
see how selfishness is causing her problems. Note that the problems need to
affect the child, not simply the adults around her. If a parent is annoyed or
frustrated by a child’s behavior, that’s the parent’s problem, not the child’s.
The child’s goal may be the opposite of the parent’s; the child may want to
stay the same, while the parent wants the child to change.
In The Genie’s Gift, a middle eastern
fantasy, a sheltered girl goes on a magical journey in hopes of finding the
strength to determine her own fate. Her journey is both internal, as she learns
about herself, and external as she travels great distances and faces many
dangers.
Solid Story Endings
For
stories with internal conflict, the main character may or may not solve the
external problem. The child who is afraid of the dark might get over that fear,
or she might learn to live with it by keeping a flashlight by her bed. The
child who is selfish and doesn’t want to share his toys might fail to achieve
that goal. Instead, he might learn the benefits of sharing.
However
the problem is resolved, remember that the child main character should drive
the solution. No adults stepping in to solve the problem! In the case where a
child and a parent have different goals, it won’t be satisfying to young
readers if the parent “wins” by punishing the child. The child must see the
benefit of changing and make a decision to do so.
Stop
back next week (or follow the blog) for more on story goals and a different way
to think about “beginning, middle, and end.”
Get More Writing Advice
Chris Eboch is the author of over 60 books for children,
including nonfiction and fiction, early reader through teen. Her writing craft
books include You Can Write for Children: How to Write Great
Stories, Articles, and Books for Kids and Teenagers, and Advanced Plotting.
Her novels for ages nine and up include The Eyes of Pharaoh, a mystery in
ancient Egypt; The Well of Sacrifice, a Mayan
adventure; The Genie’s Gift, a middle eastern
fantasy; and the Haunted series, about kids who travel with a ghost hunter TV
show, which starts with The Ghost on the Stairs. Learn more
at https://chriseboch.com/ or her Amazon page.