Nonfiction Truths: Finding Your Theme in Nonfiction

Writers tend to talk about theme less than they talk about characters, plot, and even setting. When theme does come up, it's usually with fiction. Yet identifying a theme can even help in writing powerful nonfiction.

Christine Liu-Perkins, author of At Home in Her Tomb: Lady Dai and the Ancient Chinese Treasures of Mawangdui, says, “My book is about a set of 2,100-year-old tombs in China that had over 3,000 well-preserved artifacts, including the body of a woman. I decided to write about the tombs as a time capsule, the various artifacts revealing what life was like during that period. Coming up with a theme really helped me develop the focus and content for my nonfiction book, and also helped in pitching my proposal to the publisher.”

Shirley Raye Redmond gives another example. “Before writing my first draft of Blind Tom: The Horse Who Helped Build theGreat Railroad (Mountain Press Publishing), I narrowed the focus of my story and identified my story theme by answering the following questions as thoroughly as possible: who, what, when, where, how and why? I then abbreviated my answers so they fit concisely on an index card. On the back of the card, I wrote my theme statement: With perseverance, ordinary people (and even a blind horse) can play important roles in shaping major historical events. I kept my ‘focus card’ where I could see it as I drafted—and later refined—my story.”

For my fictionalized biography of Olympic runner Jesse Owens, I considered the various lessons of his life in order to focus the book. Because he overcame ill health, racism, poverty and a poor education to become one of the greatest athletes the world has known, a theme quickly presented itself: Suffering can make you stronger, if you face it with courage and determination.

With this in mind, I chose to open the book when Jesse was five, and his mother cut a growth from his chest with a knife. I ended the chapter with his father saying, “If he survived that pain, he’ll survive anything life has to offer. Pain won’t mean nothing to him now.” Jesse shows that spirit again and again throughout Jesse Owens: Young Record Breaker (Simon & Schuster), written under the name M. M. Eboch. Identifying that theme helped me craft a dramatic story, and may even inspire kids to tackle their greatest challenges.

In your theme, you can find the heart of your story. It’s your chance to share what you believe about the world, so take the time to identify and clarify your theme, and make sure your story supports it. Through your messages, you may influence children, and perhaps even change lives.

Chris Eboch is the author of You Can Write for Children: A Guide to Writing Great Stories, Articles, and Books for Kids and Teenagers. Order for Kindle, in paperback, or in Large Print paperback. She is also the author of Advanced Plotting.

Chris has published over 50 books for children, including nonfiction and fiction, early reader through teen. Her novels for ages nine and up include The Eyes of Pharaoh, a mystery in ancient Egypt; The Well of Sacrifice, a Mayan adventure; The Genie’s Gift, a middle eastern fantasy; and the Haunted series, about kids who travel with a ghost hunter TV show, which starts with The Ghost on the Stairs. Her writing craft books include You Can Write for Children: How to Write Great Stories, Articles, and Books for Kids and Teenagers, and Advanced Plotting.

Learn more at https://chriseboch.com/ or her Amazon page.

Shut Up & Write: Julie Howard on Finding a #Writing Community

Writing doesn’t have to be a lonely business

You’d think my laptop is my best friend. We go to coffee shops together, it rides next to me in my car, and I spend hours alone with it. When it’s feeling rundown, I’m the one it relies on to plug it in and lift its energy. Right now, we’re on vacation in Canada and spending a week in a mountain chalet with a tremendous view of the Selkirk Mountains. This can’t be a healthy relationship.

To be a writer, you have to write. That means you’re alone much of the time and, for me, focused on an imaginary world. This is a recipe for cutting oneself off from reality and real relationships. It shouldn’t be surprising loneliness creeps in. Several years ago, I found a great solution that not only solves the issue of human contact, but also significantly inspires my writing.

At first, I did what a lot of writers do. I went to coffee shops. There, at least, the voices and clatter of humans surrounded me. A few customers found their way into my stories – whether through their voice tones or hair color or the shape of their nose. A snippet of conversation became the inspiration for a side plot. I became friendly with a few of the other regulars who appeared each morning and the baristas knew my order before I arrived at the counter.

Then I discovered Shut Up & Write, a Meetup group for working writers of all sorts. It’s a very casual group, now with more than 25,000 members around the world, and totally free. I joined first in Sacramento, Calif. and started two morning groups there. Now I live in Boise, Idaho and launched the first Shut Up & Write there. We have well over a hundred members and have four writing sessions a week at various coffee shops. Writers sign up online to hold their spot for a session, show up and chat for a bit, and then write quietly on their own project for an hour. An hour doesn’t seem too long, but it’s amazing how joining others with the same creative energy spurs one forward.

My projects progress, but there’s also the benefit of friendships that develop and the mentoring I see happen. We share information about editing, plot development, writing conferences, and the long road to publishing. We also show each other pictures of our children and pets, offer suggestions on restaurants, and cheer each other on.

Writing doesn’t have to be a lonely business. If you don’t have a Shut Up & Write in your community, you may consider starting one. There’s information about the organization here.

Happy writing!

Julie Howard is the author of the Wild Crime series. She is a former journalist and editor who has covered topics ranging from crime to cowboy poetry. She is a member of the Idaho Writers Guild and founder of the Boise chapter of Shut Up & Write. Learn more at juliemhoward.com.

Crime Times Two (coming Fall 2018):

Meredith knows three things: First, the man in the library begged her to help him. Second, he was afraid of his wife. Third, now he’s dead.

While the evidence first points to a natural death, Meredith is certain there’s more to discover. People are tight-lipped in this small mountain village, and the man’s wife isn't talking either. Then a second death occurs, with remarkable similarities. It’s time to talk about murder. 

As a slow-burning relationship heats up in her own life, Meredith struggles with concepts of love and hate, belief and suspicion, and absolution and guilt. Nothing is clear cut…

She must decide: Is guilt, like evil, something you can choose to believe in?

Excerpt:

Jowls quivered under the man’s weak chin, and Meredith noted the stained and frayed shirt of someone who spent a lot of time alone in dark rooms, sending out a better version of himself into the virtual world. His eyes were anxious and beseeching at her as though she should have a clear understanding of him and his life.

Somehow, over the past hour and a half they’d been sitting next to each other – him playing video games and sharing his life story and her ignoring him the best she could – she had become his confessor and friend.

Meredith gave him what she hoped was an impartial-though-quasi-friendly smile. She reached for her purse and papers and rose from her chair. “Well. Nice talking with you.”

The man was lost in his own train of thought and seemed only slightly aware that Meredith was leaving.

He shook his head, morose.

“To make a long story short,” he summed up, “I think my wife is trying to kill me.”

Visit Julie:

Website

Facebook

Julie's Amazon Page

Get Julie's first novel, Crime and Paradise, in paperback or for the Kindle from Amazon.

Is Your Villain Evil Enough? #Writing Advice from Chris Eboch

(From the "Most Viewed" files...)

In previous posts, I've touched on using villains to add drama to your story. Let’s look at this more closely.

Use Your Villain

On the surface, this may sound obvious. The whole point of a villain is to make your hero’s life difficult, right? But I’ve found that it’s sometimes easy to forget about the villain when you’re focused on the hero’s actions. The villain sets something in motion and then disappears.

If you get stuck in your writing and can’t figure out what happens next, try checking in with your villain. Is he just sitting around, waiting for your hero to act? No! He should be actively trying to thwart your hero, plotting new complications and distractions. Realizing this can be the push you need to get past a slow spot.

I found this helpful for my middle grade historical mystery, The Eyes of Pharaoh. The heroine, Seshta, had done everything she could to track down her missing friend. While hunting for him, she had tipped off the bad guy. When I realized that would mean the villain was actively plotting against her, I had the inspiration for several big action scenes leading to the dramatic climax.

Not every book has an actual villain, of course. But if you don’t have one, consider adding one. Even if it’s not necessary for the main plot, a villain could add drama as a subplot.

Example: In the Haunted series, each book’s main plot involves Jon and Tania trying to help the ghosts. In book one, I created a minor secondary character, a fake psychic who calls herself Madam Natasha. In The Riverboat Phantom, Madam Natasha figures out that Tania can see ghosts – something Tania desperately wants to keep secret. Madam Natasha uses the secret as a threat, as she demands that the kids share information about the ghosts and give her credit for helping them. In The Knight in the Shadows, the kids go to war with Madam Natasha, determined to expose her as a fraud. This is still secondary to trying to help the ghost, but it adds challenges and emotional drama.

Whether your villain is involved in the main plot or a subplot, he or she doesn’t have to be a diabolical evil genius. He can be a bully at school, a competitor on a sports team, a nasty boss, or even a manipulative sibling or friend. Whatever the “villain” is, his job is to make your hero’s life miserable.

Exercise: look over your work in progress. Do you have a major villain? If so, is the villain as active as possible, aggressively trying to stop, hurt, or kill your hero?

Do you have secondary characters with villainous tendencies? Can you enhance these, so they cause even more trouble?

If you have no villain at all, brainstorm ways to add one.

Chris Eboch is the author of You Can Write for Children: A Guide to Writing Great Stories, Articles, and Books for Kids and Teenagers. Order for Kindle, in paperback, or in Large Print paperback. She is also the author of Advanced Plotting.

Chris has published over 50 books for children, including nonfiction and fiction, early reader through teen. Her novels for ages nine and up include The Eyes of Pharaoh, a mystery in ancient Egypt; The Well of Sacrifice, a Mayan adventure; The Genie’s Gift, a middle eastern fantasy; and the Haunted series, about kids who travel with a ghost hunter TV show, which starts with The Ghost on the Stairs. Her writing craft books include You Can Write for Children: How to Write Great Stories, Articles, and Books for Kids and Teenagers, and Advanced Plotting.

Learn more at https://chriseboch.com/ or her Amazon page.