Friday, July 13, 2012

Strong Writing: Raising the Stakes

In my Friday craft posts, I’ve been talking about plotting – how to develop an idea into a story and how to pack the plot full of action. Now let’s talk about the stakes – and how to raise them.

Look at your main story problem. What are the stakes? Do you have positive stakes (what the main character will get if he succeeds), negative stakes (what the MC will suffer if he fails), or both? Could the penalty for failure be worse? Your MC should not be able to walk away without penalty. Otherwise the problem was obviously not that important or difficult. The penalty can be anything from personal humiliation to losing the love interest to the destruction of the world – depending on the length of story and audience age – so long as you have set up how important that is for your MC.

Get great plotting tips in Advanced Plotting (links below)
In recent weeks, I’ve talked more about adding complications. Note that those complications should also be both Difficult and Important. Say you have a character who needs to get somewhere by a specific time, and you want to increase tension by causing delays. If she simply runs into a series of chatty neighbors, it’s quickly going to get boring (unless you can push it to the point of comedy). 

Instead, find delays that are dramatic and important to the main character. Her dog slips out of the house while she’s distracted, and she’s worried that he’ll get hit by a car if she doesn’t get him back inside... Her best friend shows up and insists that they talk about something important NOW or she won’t be friends anymore.... 

Ideally, these complications also relate to the main problem or a subplot. The best friend’s delay will have more impact if it’s tied into a subplot involving tension between the two friends rather than coming out nowhere.

Here’s another important point -- you must keep raising the stakes, making each encounter different and more dramatic. You move the story forward by moving the main character farther back from her goal, according to Jack M. Bickham in his writing instruction book Scene and Structure

        “Well-planned scenes end with disasters that tighten the noose around the lead character’s neck; they make things worse, not better; they eliminate hoped-for avenues of progress; they increase the lead character’s worry, sense of possible failure, and desperation – so that in all these ways the main character in a novel of 400 pages will be in far worse shape by page 200 than he seemed to be at the outset.” 
Are things worse at page 200?
If the tension is always high, but at the same height, you still have a flat line. Instead, think of your plot as going in waves. Each scene is a mini-story, building to its own climax -- the peak of the wave. You may have a breather, a calmer moment, after that climax. But each scene should lead to the next, and drive the story forward, so all scenes connect and ultimately drive toward the final story climax.

Example: In the Haunted books, the kids have a time limit for helping the ghosts, because their parents’ ghost hunter TV show is only shooting for a few days. But the stakes also rise as the kids get more involved with the ghosts, and understand their tragic plights. Complications come from human meddlers – the fake psychic who wants to take credit, the mean assistant who thinks kids are troublemakers, and Mom, who worries and wants to keep the kids away from anything dangerous.

Exercise: take one of your story ideas. Outline a plot that escalates the problem.

Advanced Plotting has tons of advice on building strong plots. Get Advanced Plottingon Amazon or B&N, in print or e-book.

Chris also writes romantic suspense for adults under the name Kris Bock. Visit her website or see Kris Bock’s books on Amazon, Barnes & Noble, or Smashwords.

3 comments:

  1. You talk about waves - a great idea (in my mind I see one of my old bio-rhythms :)

    If a story is too tense all the time, it does get dull and doesn't give the reader enough time to take a breath.

    Nice post, Chris.

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  2. Chris, thank you for this series on plotting. I'm struggling with it now. I'm still at the "turning an idea into a plot" point...

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